Even though his works may touch on spiritual aspects and resonate with religiosity, his way of life and work is always earthly tangible, physically real, and felt.
— Günther Oberhollenzer
Photography Gustav Willeit, property Museum Ladin
Tenacula, Ciaminades, 2017/2019, bronze and iron
Pietà, 2014/2015, plaster
Pietà, 2014/2015, bronze
Fallender/Che cade, 2013, bronze and iron
Ohne Dogma/Senza Dogma, Ciaminades, 2013, bronze
Altarraum, Basilika Sonntagberg (NÖ), 2013, marble
Altarraum, Basilika Sonntagberg (NÖ), 2013, marble
Inservible, 2012, bronze and iron
Condito humana II, 2011/2013, plaster and iron
Condito humana II, 2011/2013, plaster and iron
Conditio Humana, 2011/2013, bronze and iron
Conditio humana, MACRO Testaccio, La Pelanda, Roma (2013), 2011/2013, bronze and iron
Integra, Conturines (2017), 2011/2013, bronze and iron
Conditio humana , Alessandro Casciaro Art Gallery, Bozen (2014), 2011/2013, bronze and iron
Baustelle Conditio humana, European Forum Alpach (2019), 2011/2013, bronze
Incolto, 2011, bronze and iron
Altarraum, Pfarrkirche Sterzing, 2010
Ecce homo, Innsbruck (2012), 2009/2010, bronze and wood
Altarraum, Basilika Mondsee, 2008
Altarraum, Basilika Mondsee, 2008
Fassade der Hoffnung/Facciata della speranza, Innsbruck, 2007/2009, bronze
Kain und Abel/Caino e Abele, Ciaminades, 2005/2006, bronze
Kain und Abel/Caino e Abele, 2005/2006, plaster
Apajaziun (reconciliation group), 2001/2003, bronze
Altarraum, 1998/2000, Pfarrkirche "Maria in der Au", Bozen, Carrara marble and bronze
Triptychon - Stange der Conditio humana/Stanga della Conditio humana, Ciaminades, 1996/1997, bronze
Altarraum, 1996, Pfarrkirche Obervintel (BZ), Belgian granite, larch and stainless steel